1
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I.D. Number 345674-213700. Class B.

2
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Nidia da Gléria. Loves Alexandro Gigio.

3
00:01:50,319 --> 00:01:51,821
Both of them from Neiro.

4
00:01:52,029 --> 00:01:55,908
15 Ostra St., Marisco, Neiro.

5
00:01:56,117 --> 00:01:57,702
A 108-year-old...

6
00:01:58,786 --> 00:02:00,079
...man?

7
00:02:03,499 --> 00:02:04,917
Go, Hatchin!

8
00:02:10,214 --> 00:02:11,299
Stop right there!

9
00:02:13,134 --> 00:02:14,552
Jump, Hatchin!

10
00:02:27,273 --> 00:02:30,735
"

11
00:02:31,193 --> 00:02:33,946
The crashing of a Sao Paraiso entrance gate

12
00:02:34,155 --> 00:02:36,073
has had unexpected repercussions.

13
00:02:36,282 --> 00:02:38,784
A long, long line of cars is completely backed up

14
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as the gate is blocked off.

15
00:02:40,703 --> 00:02:43,581
It is currently Milenario de Samba season

16
00:02:43,789 --> 00:02:45,875
throughout the streets of Sao Paraiso.

17
00:02:46,083 --> 00:02:47,918
Spectators and participants from all over

18
00:02:48,127 --> 00:02:50,087
have been caught up in an unusual enthusiasm.

19
00:02:50,296 --> 00:02:52,298
We have word that the culprits are both female,

20
00:02:52,506 --> 00:02:54,425
one of them being a child--

21
00:03:09,732 --> 00:03:11,942
I like that look on your face, big brother.

22
00:03:13,986 --> 00:03:15,654
I'm so sorry.

23
00:03:15,863 --> 00:03:17,907
How about it? Thrilling, right?

24
00:03:21,202 --> 00:03:24,872
- --1 get it. This is what it is to be brothers.
- --Shall we check the surveillance monitors?

25
00:03:32,505 --> 00:03:34,131
Tell me, Ricardo,

26
00:03:34,340 --> 00:03:36,926
would you like to go back? To your home?

27
00:03:37,134 --> 00:03:38,636
Ma'
am?

28
00:03:55,736 --> 00:03:57,363
Can't sleep, huh?

29
00:04:04,495 --> 00:04:06,872
The sound of spoiled kids goin' nuts.

30
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Do you have anything to go on?

31
00:04:22,596 --> 00:04:24,640
Nope, nothin' like that.

32
00:04:28,602 --> 00:04:31,981
Okay, Hatchin, listen to me. He's got talent.

33
00:04:32,189 --> 00:04:35,234
He oughtta be doin' well for himself.
So we're sure to see him.

34
00:04:35,443 --> 00:04:38,404
The reason he came here was for money. You see?

35
00:04:38,612 --> 00:04:40,281
You and me are here now, after all.

36
00:04:40,489 --> 00:04:42,992
He's probably somewhere makin' some fast cash.

37
00:04:46,162 --> 00:04:47,746
It's the same as always.

38
00:04:48,831 --> 00:04:50,749
It's the same old thing as always.

39
00:04:57,882 --> 00:04:59,633
That man is acting strange.

40
00:05:03,596 --> 00:05:06,765
Hey! Who are you?!
You want somethin' with us?! Eh?!

41
00:05:06,974 --> 00:05:11,061
No! I just wanted to make sure!
The kid bears a resemblance

42
00:05:11,270 --> 00:05:13,564
to Rock Morena!

43
00:05:17,151 --> 00:05:20,154
This guy? You're sayin'
she really looks like this guy?

44
00:05:21,780 --> 00:05:23,741
Yeah, that's right.

45
00:05:23,949 --> 00:05:27,077
Rock... Morena...

46
00:05:30,206 --> 00:05:31,916
...Hey, Hatchin...

47
00:05:32,124 --> 00:05:33,417
...He's here.

48
00:05:41,342 --> 00:05:44,094
He was staying here.

49
00:05:44,303 --> 00:05:46,847
I worked together with him for a little while.

50
00:05:55,898 --> 00:05:58,984
We took the gates off of people's houses,
and manhole covers,

51
00:05:59,193 --> 00:06:01,403
swiped them, and turned them into cash.

52
00:06:02,279 --> 00:06:06,992
We had to pinch what we could,
or we couldn't survive. That's a fact.

53
00:06:09,703 --> 00:06:13,499
He took off, together with
the money I'd scraped together.

54
00:06:14,500 --> 00:06:19,255
It was all mine. I'd kill to get it back.

55
00:06:20,130 --> 00:06:21,757
We're lookin' for him too.

56
00:06:21,966 --> 00:06:23,551
Did he happen to say anythin'?

57
00:06:23,759 --> 00:06:26,470
You know, like how he had a woman
he'd be willin' to die for,

58
00:06:26,679 --> 00:06:29,265
or that he had a family,
and he was gonna have a happy life?

59
00:06:29,473 --> 00:06:31,809
Heh heh, he wasn't that kind of guy.

60
00:06:32,017 --> 00:06:34,770
He talked about how he was
going to be a bigshot in Monstro,

61
00:06:34,979 --> 00:06:36,897
and how he once grew gigantic tomatoes.

62
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Every time he opened his mouth,
it was a big mix of fact and fiction.

63
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And yet, he was a lousy fighter,
and he couldn't even eat tomatoes!

64
00:06:45,823 --> 00:06:47,616
Oh, and one other thing--

65
00:06:47,825 --> 00:06:49,618
he said he was scouted out in some bar,

66
00:06:49,827 --> 00:06:53,122
by the lead actor of a popular drama,
to play a bad guy role.

67
00:06:53,330 --> 00:06:56,417
I mean, what? Ridiculous, isn't it?
I wasn't born yesterday.

68
00:06:56,625 --> 00:07:00,504
Anyway I asked him, what did this guy look like?

69
00:07:00,713 --> 00:07:04,300
So he says, he's this icky dude,
with a pompous look on his face.

70
00:07:04,508 --> 00:07:06,885
And it turns out he's not in any drama!

71
00:07:07,678 --> 00:07:09,555
Hey, what's going on?!

72
00:07:09,763 --> 00:07:13,726
Listen here. He was in Monstro,
and he did grow giant tomatoes.

73
00:07:13,934 --> 00:07:15,477
He wasn't lyin'.

74
00:07:15,686 --> 00:07:19,231
Also, he is handsome.
He probably did get scouted.

75
00:07:19,440 --> 00:07:21,442
Then why didn't he take the gig?

76
00:07:24,320 --> 00:07:25,446
Because of me.

77
00:07:25,654 --> 00:07:27,239
How gullible can you be?

78
00:07:27,448 --> 00:07:31,827
Listen, he's abandoned you two.
He's loved you and left you.

79
00:07:32,036 --> 00:07:33,454
Why, you!

80
00:07:44,089 --> 00:07:46,258
Proceeding to the reported address.

81
00:07:46,467 --> 00:07:48,177
We will arrive shortly.

82
00:07:51,847 --> 00:07:54,433
They've cleared out.
There are signs that they left in a hurry.

83
00:07:54,642 --> 00:07:56,268
Moving to search the area.

84
00:08:20,167 --> 00:08:23,420
What did he come here for?

85
00:08:24,171 --> 00:08:27,883
He really could... just be runnin' away, huh?

86
00:08:30,511 --> 00:08:33,055
I thought that was the case.

87
00:08:34,264 --> 00:08:36,350
That's the kind of man Hiroshi is.

88
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An overview of the whole production?

89
00:09:28,569 --> 00:09:31,280
That sort of creative viewpoint is important.

90
00:09:31,488 --> 00:09:32,489
If you don't have it, on the other hand,

91
00:09:32,698 --> 00:09:35,784
you may not be able
to elicit the greatest performance.

92
00:09:35,993 --> 00:09:38,328
If all you think about is the role you're playing,

93
00:09:38,537 --> 00:09:40,748
you can't hope to get that kind of quality.

94
00:09:40,956 --> 00:09:44,084
The production owes so much to you, Feliciano.

95
00:09:44,293 --> 00:09:46,795
Hmph, it is the fruit of
everyone who takes part in it,

96
00:09:47,004 --> 00:09:48,297
including those behind the scenes.

97
00:09:48,505 --> 00:09:50,924
And more than anything,
I would like to thank the viewers

98
00:09:51,133 --> 00:09:54,386
- -who have stuck with us for this long.
- -An icky dude, with a pompous look on his face...

99
00:09:54,595 --> 00:09:55,804
...That's him.

100
00:09:56,013 --> 00:09:58,390
And now, we're almost
to the high point of the story.

101
00:09:58,599 --> 00:10:00,684
- -As Feliciano's long-lost younger brother, Julio,
- -Hiroshi did grow giant tomatoes,
and he was in Monstro.

102
00:10:00,684 --> 00:10:02,936
- -harbors a grudge against him, he falls into a trap.
- -Hiroshi did grow giant tomatoes,
and he was in Monstro.

103
00:10:02,936 --> 00:10:04,605
- -harbors a grudge against him, he falls into a trap.
- -He probably did get scouted, too.

104
00:10:04,813 --> 00:10:06,607
Now, as we wrap things up, any final impressions?

105
00:10:06,815 --> 00:10:09,651
Well, this production is a love story,

106
00:10:09,860 --> 00:10:13,405
so even in the worst case, if I give it my all,
everything will still turn out sweet.

107
00:10:13,614 --> 00:10:17,576
Indeed. It sounds like we can
look forward to a dramatic conclusion.

108
00:10:17,785 --> 00:10:19,119
Thank you very much.

109
00:10:19,953 --> 00:10:23,290
In mere moments, this building will be lit up,

110
00:10:23,499 --> 00:10:26,126
and will apparently look like
a UFO that has landed...

111
00:10:36,136 --> 00:10:38,305
...like it when Michiko smiles.

112
00:10:44,102 --> 00:10:47,689
I'm going to get Michiko smiling again,
no matter what it takes!

113
00:10:58,116 --> 00:11:01,370
With the city stirred up over
Milenario de Samba as a backdrop,

114
00:11:01,578 --> 00:11:05,290
Feliciano's climactic scene is about to be filmed.

115
00:11:06,416 --> 00:11:08,252
What do we do about the big ending?

116
00:11:08,460 --> 00:11:10,796
Get taken up into space,
or land down on the ground?

117
00:11:11,004 --> 00:11:13,090
I thought we were done discussing this.

118
00:11:13,298 --> 00:11:14,591
We'll do it below, like in the script.

119
00:11:14,800 --> 00:11:18,303
No we won't! The viewers are
waiting for us to take the next step!

120
00:11:18,512 --> 00:11:21,473
Love is the universe! The unbounded universe!

121
00:11:21,682 --> 00:11:24,351
Women are black holes!
If you get drawn in for a second,

122
00:11:24,560 --> 00:11:26,937
"The End!" You can't get back out!

123
00:11:27,145 --> 00:11:30,065
Having lost everything,
Feliciano finally realizes that.

124
00:11:30,274 --> 00:11:31,859
Are you with me, Director?!

125
00:11:32,067 --> 00:11:32,401
Ugh...

126
00:11:32,609 --> 00:11:34,778
So then, I stand right here...

127
00:11:34,987 --> 00:11:39,741
I stand here, tears streaming down,
arms held out wide!

128
00:11:43,203 --> 00:11:45,038
I love you.

129
00:11:48,584 --> 00:11:52,504
Well? Overflowing! Overflowing with emotion!

130
00:11:53,297 --> 00:11:54,673
Now, listen, Feli--

131
00:11:54,882 --> 00:11:57,718
Are you telling me no?! You think it's lame?!

132
00:11:57,926 --> 00:12:00,470
Well it isn't! It's perfectly okay!

133
00:12:02,055 --> 00:12:02,514
This is drivel.

134
00:12:02,723 --> 00:12:04,182
How so?!

135
00:12:04,391 --> 00:12:06,560
Why don't you brush up more?!

136
00:12:06,768 --> 00:12:08,562
This is pissing me off!

137
00:12:12,274 --> 00:12:14,359
Mr. Feliciano is running off the set!

138
00:12:14,568 --> 00:12:15,819
Stop him!

139
00:12:21,325 --> 00:12:22,993
Stop! Please, stop!

140
00:12:42,220 --> 00:12:43,430
Uh-oh.

141
00:12:43,639 --> 00:12:46,183
That can spell nothing but trouble for me.

142
00:12:48,560 --> 00:12:49,269
Stop!

143
00:12:49,478 --> 00:12:51,146
You're running a red light!

144
00:12:53,899 --> 00:12:58,153
Go all out... I have to... go all out...

145
00:12:58,362 --> 00:12:59,988
Feliciano!

146
00:13:12,000 --> 00:13:15,462
We've got a report that the child from the pair
that broke through the entrance gate yesterday

147
00:13:15,671 --> 00:13:19,049
was clipped by a passenger car on Route 43.

148
00:13:23,762 --> 00:13:25,806
All nearby units, proceed to the scene immediately.

149
00:13:26,807 --> 00:13:28,225
Her...?

150
00:13:36,692 --> 00:13:37,693
It's not him...

151
00:13:37,901 --> 00:13:39,403
...I've been fooled!

152
00:13:44,157 --> 00:13:46,368
Target spotted heading down Route 43.

153
00:13:46,576 --> 00:13:49,871
Currently fleeing southeast
through the Sao Juan district.

154
00:14:05,262 --> 00:14:07,014
Stop! I'll let you go!

155
00:14:07,222 --> 00:14:09,516
You're lying! I know you're lying!

156
00:14:14,396 --> 00:14:16,481
Stop it, Jambo! Let me go!

157
00:14:31,038 --> 00:14:33,874
What do you think you're doing,
leaving her all alone?

158
00:14:36,376 --> 00:14:38,128
You're just a kid, after all, huh?

159
00:14:43,133 --> 00:14:46,136
Want to go back to that church,
to your pretend family?

160
00:14:50,057 --> 00:14:52,267
Tell me, what were you doing?

161
00:14:54,352 --> 00:14:57,105
I was chasing after Feliciano.

162
00:14:57,314 --> 00:14:58,273
Feliciano?

163
00:14:58,482 --> 00:15:00,567
An actor with a goofy face.

164
00:15:00,776 --> 00:15:03,028
He knows something about Hiroshi.

165
00:15:03,236 --> 00:15:06,406
That's why I want to see him,
and ask him to talk to Michiko,

166
00:15:06,615 --> 00:15:08,200
about Hiroshi.

167
00:15:08,408 --> 00:15:12,162
Hiroshi probably isn't giving us any thought.

168
00:15:12,370 --> 00:15:16,583
That's the kind of guy he is.
But I want Feliciano to tell Michiko,

169
00:15:16,792 --> 00:15:20,462
even if it's not true, that he talked about her.

170
00:15:20,670 --> 00:15:24,049
I think Michiko will go back
to the way she was if he does.

171
00:15:34,267 --> 00:15:35,811
He's up there.

172
00:15:37,312 --> 00:15:38,814
Go on.

173
00:15:40,774 --> 00:15:41,399
What's that?

174
00:15:41,608 --> 00:15:43,360
This makes us even.

175
00:16:01,628 --> 00:16:05,507
Can't you let it ring longer?!

176
00:16:28,655 --> 00:16:31,241
Look at me! Does this face look familiar?!

177
00:16:32,367 --> 00:16:34,452
I can't really see it, so...

178
00:16:36,371 --> 00:16:37,914
You can't tell me you don't know it!

179
00:16:38,123 --> 00:16:39,833
I'm sure you must remember this!

180
00:16:41,751 --> 00:16:43,628
How much do you want?

181
00:16:45,672 --> 00:16:46,798
What was that for?!

182
00:16:47,507 --> 00:16:49,050
Call and read what it says on here!

183
00:16:49,259 --> 00:16:52,012
What are you up to? Huh?
Just who the hell are you?!

184
00:16:52,220 --> 00:16:53,096
I'm Hiroshi's daughter!

185
00:16:53,305 --> 00:16:54,389
And who is Hiroshi?!

186
00:16:54,598 --> 00:16:56,933
Hiroshi Morenos,
the man who steals manhole covers!

187
00:16:57,142 --> 00:16:59,019
Rock Morena, with the giant tomatoes!

188
00:16:59,227 --> 00:17:00,687
The man that you scouted!

189
00:17:00,896 --> 00:17:03,273
J-Just a second, let's sort this out.

190
00:17:03,481 --> 00:17:05,609
You're Hiroshi's daughter, right?

191
00:17:05,817 --> 00:17:06,776
That's right.

192
00:17:06,985 --> 00:17:08,987
The guy that swipes manhole covers is Hiroshi,

193
00:17:09,196 --> 00:17:11,031
and the one with giant tomatoes is Rock.

194
00:17:11,239 --> 00:17:13,158
So who are they to you?

195
00:17:13,366 --> 00:17:14,034
My father!

196
00:17:14,242 --> 00:17:14,993
Which one?!

197
00:17:15,202 --> 00:17:16,411
Both of them!

198
00:17:18,955 --> 00:17:21,416
They're one and the same person?

199
00:17:21,625 --> 00:17:24,669
And you say I scouted this guy?

200
00:17:24,878 --> 00:17:28,131
Thing is, I've never done that.

201
00:17:28,340 --> 00:17:31,468
But you're the icky dude,
with a pompous look on his face,

202
00:17:31,676 --> 00:17:33,386
that appears on that drama.

203
00:17:33,595 --> 00:17:35,222
Well, are you sure you don't mean

204
00:17:35,430 --> 00:17:37,641
one of the knockoffs on another channel?

205
00:17:37,849 --> 00:17:39,851
Knock... off...?

206
00:17:40,060 --> 00:17:44,147
Look here. Copycats. Fakes.

207
00:17:44,356 --> 00:17:46,691
- -Go ahead and change the channel.
They're teeming with them.
- -You want it, don't you?

208
00:17:46,691 --> 00:17:48,193
- -Go ahead and change the channel.
They're teeming with them.
- -What happened tonight is
a secret between just you and me.

209
00:17:48,193 --> 00:17:52,656
- -It's counterfeit heaven.
That's just how the business is.
- -What happened tonight is
a secret between just you and me.

210
00:17:54,324 --> 00:17:56,409
Um, I...

211
00:17:56,618 --> 00:17:58,578
Now, listen to me.

212
00:17:58,787 --> 00:18:01,623
The drama I do is super-popular.

213
00:18:01,831 --> 00:18:04,542
If you ask me why it's so popular,
the answer is obvious.

214
00:18:04,751 --> 00:18:07,671
It's interesting. That's the whole proposition.

215
00:18:07,879 --> 00:18:11,132
But if that's all it took,
it wouldn't be the only one out there.

216
00:18:11,341 --> 00:18:15,553
You see, what's critical is acting
which has its backing in truth.

217
00:18:15,762 --> 00:18:17,222
It all depends on that.

218
00:18:17,430 --> 00:18:20,058
That means that my method
can raise a banal love story

219
00:18:20,267 --> 00:18:22,477
into something first-rate.

220
00:18:22,686 --> 00:18:26,606
And yet, those guys understand nothing!

221
00:18:26,815 --> 00:18:30,235
What's going on?! Really, what's going on here?!

222
00:18:31,653 --> 00:18:33,238
I'm sorry about this.

223
00:18:34,572 --> 00:18:36,574
I'm sorry about this!

224
00:18:38,952 --> 00:18:41,579
Go ahead and have a good cry.

225
00:18:42,789 --> 00:18:45,834
Really, what am I going to do with you?

226
00:18:56,636 --> 00:18:58,430
Um, is this Miss Michiko?

227
00:18:59,306 --> 00:19:00,598
Who's this?

228
00:19:00,807 --> 00:19:04,102
Nice to talk to you. My name is Feliciano.

229
00:19:04,311 --> 00:19:09,816
I'm an actor. I have something
you might like to hear about Hiroshi.

230
00:19:10,025 --> 00:19:12,193
I know him, you see.

231
00:19:12,402 --> 00:19:15,322
He was such a good-looking man,
I had to say hello to him.

232
00:19:15,530 --> 00:19:18,616
I asked him if he'd like
to come and play my rival.

233
00:19:18,825 --> 00:19:22,078
But, unfortunately, he turned me down.

234
00:19:22,287 --> 00:19:25,165
When I pressed him, he said something or other

235
00:19:25,373 --> 00:19:28,126
about having a woman who was dear to him.

236
00:19:28,335 --> 00:19:31,379
I tried persuading him
harder than I ever have in my life,

237
00:19:31,588 --> 00:19:34,799
but nope. He wouldn't budge one inch.

238
00:19:35,008 --> 00:19:38,678
Miss Michiko, he's out there waiting for you.

239
00:19:38,887 --> 00:19:40,805
So give it your all, why don't you!

240
00:19:41,014 --> 00:19:44,267
You do, and everything will be sweet! Okay?

241
00:19:50,732 --> 00:19:53,818
Um, thank you very much.

242
00:20:00,367 --> 00:20:04,496
It's okay, it's okay,
don't worry about it. I'm rich, after all.

243
00:20:04,704 --> 00:20:05,872
- -But.
- -Hey!

244
00:20:06,081 --> 00:20:08,708
Come on over. It's samba time.

245
00:20:14,964 --> 00:20:19,344
From Goinia... Rock Morena...

246
00:20:25,475 --> 00:20:29,145
Ricardo! This is where we say goodbye!

247
00:20:29,354 --> 00:20:35,527
What? I can't hear you!
Hey, listen to me! I'm grateful to you!

248
00:21:01,970 --> 00:21:03,847
Yeah! Yeah! Yeah!

249
00:21:05,974 --> 00:21:07,058
Tomorrow,

250
00:21:07,267 --> 00:21:11,563
I think we're going to end up
breaking through another gate.

251
00:21:17,819 --> 00:21:24,284
oikakete oikakete

252
00:21:31,666 --> 00:21:34,502
Koboresou na hoshi no furu yoru ni

253
00:21:34,711 --> 00:21:37,547
shinjitaku naru okoranai kiseki

254
00:21:37,755 --> 00:21:40,675
Boku to aitsu no mannaka ni itumo ita

255
00:21:40,884 --> 00:21:43,678
kimi no yokogao wo zutto mite ita

256
00:21:43,887 --> 00:21:46,222
Kimi no sugu tonari no besuto furendo

257
00:21:46,431 --> 00:21:49,225
boku no mune ni shimaikonda honne

258
00:21:49,434 --> 00:21:51,769
Moshi ima koko de tsutaetara

259
00:21:51,978 --> 00:21:54,147
kono sekai wa sugata wo kaeru kana

260
00:21:54,355 --> 00:21:56,816
Kamisama wa shinjinai da kedo

261
00:21:57,025 --> 00:21:59,569
hoshi ni negai wo

262
00:21:59,777 --> 00:22:02,739
Mou kimi ni aitakute

263
00:22:02,947 --> 00:22:05,658
Nemurenai yoru omoi wa tsunoru

264
00:22:05,867 --> 00:22:08,036
Baby I love you

265
00:22:08,244 --> 00:22:13,166
Sabishisa mo setsunasa mo

266
00:22:13,374 --> 00:22:19,130
kimi to deai kizuita

267
00:22:19,339 --> 00:22:24,928
Itsumo sagashite'ru

268
00:22:25,136 --> 00:22:27,472
Aa besuto furendo

269
00:22:27,680 --> 00:22:33,853
dakishimetai